A Multicultural Community of Practice in Creative Writing
DOI:
https://doi.org/10.24834/educare.2019.2.2Keywords:
a/r/tography, community of practice, creative writing, dialogue, nyantrikAbstract
This article shall argue that learning arts (creative writing) and becoming an artist is best understood as a process of immersion. Lave and Wenger’s Community of Practice will be used as a framework along with the concept of nyantrik, an apprenticeship in arts within Javanese culture, which gives a deeper meaning to the process of immersion. This article will also show how such learning processes may be re-shaped and occur across spatial and cultural boundaries, with the help of modern communication platforms. Using a/r/tography as an approach for arts-based inquiries, the article aims to describe the dialogic learning process of becoming a creative writer through immersion into an online multicultural community of practice, Project 366. The study is accomplished through an examination of the interactions, reflections and creative works (poetry) of the participants, as well as how such exchanges also affected the researcher’s own creative process.
References
Anderson, B. R. O. (1991). Imagined communities: reflections on the origin and spread of nationalism (Rev. and extended ed). London ; New York: Verso.
Barrett, E. (2007). Experiential learning in practice as research: context, method, knowledge. Journal of Visual Art Practice, 6(2), 115–124.
Bickel, B. (2005). From Artist to A/r/tographer: An Autoethnographic Ritual Inquiry into Writing on the Body. Journal of Curriculum and Pedagogy, 2(2), 8–17.
Christianto, W. N. (2008). Amen: Tatakelola Wayang Jekdong dalam Tradisi Jawa Timuran. Resital, 9(2), 112–117.
Christianto, W. N. (2009). Percantrikan Dalang Wayang Kulit Purwa Tradisi Jawa Timuran. In Seni dalam Dimensi Bentuk, Ruang, dan Waktu (pp. 77–89). Jakarta: Penerbit Wedatama Widya Sastra.
Christianto, W. N. (2012). Nyalap-Nyaur: Model Tatakelola PergelaranWayang Jekdong dalam Hajatan Tradisi Jawatimuran. Humaniora, 24(2), 175–186.
Deleuze, G. (1983). Anti-Oedipus: capitalism and schizophrenia. Minneapolis: University of Minnesota Press.
Deleuze, G. (1987). A thousand plateaus: capitalism and schizophrenia. Minneapolis: University of Minnesota Press.
Fleer, M. (2013). Collective Imagining in Play. In Children’s Play and Development (pp. 73–88). Springer Verlag.
Freire, P. The Politics of Education: Culture, Power, and Liberation. South Headly, Mass: Bergin & Garvey
Hutomo, S. S. (1979). Cerita Kentrung Sebagai Warisan Tradisi. Indonesia Circle. School of Oriental & African Studies. Newsletter, 7(20), 25–29. https://doi.org/10.1080/03062847908723757
Irwin, R., Beer, R., Springgay, S., Grauer, K., Gu, X., & Barbara, B. (2006). The Rhizomatic Relations of A/r/tography. Studies in Art Education, 48(1), 70–88.
Irwin, R. L., Bickel, B., Triggs, V., Springgay, S., Beer, R., Grauer, K., …Sameshima, P. (2009). The City of Richgate: A/r/tographic Cartography as Public Pedagogy. International Journal of Art & Design Education, 28(1), 61–70.
Jenkins, R. (2002). Pierre Bourdieu. London: Routledge.
Joris, P. (2003). A nomad poetics: essays. Middletown, Conn: Wesleyan University Press.
Kelen, C. (2011). Community in the Translation/Response Continuum: Poetry as Dialogic Play. In Collective Creativity (pp. 281–298). Amsterdam ; New York: Rodopi.
Kelen, C. (2014). Process and Product, Means and ends, Creative Writing in Macao. In Beyond Babel: Exploring Second Language Creative Writing (pp. 75–102). Amsterdam ; New York: John Benjamins Publishing Company.
Lam, A. (2014). Becoming poets: the Asian English experience. Bern: New York : Peter Lang.
Lave, J. & Wenger, J. (1991). Situated Learning: Legitimate Peripheral Participation. Cambridge: Cambridge University Press.
Leake, J. (2015). Women re-imagining life through art: A/r/tographical discoveries in a community expressive arts studio. Journal of Applied Arts & Health, 6(3), 291–306.
Leavy, P. (2015). Method meets art: arts-based research practice (Second edition). New York ; London: The Guilford Press.
LeBlanc, N., Davidson, S. F., Ryu, J. Y., & Irwin, R. L. (2015). Becoming through a/r/tography, autobiography and stories in motion. International Journal of Education Through Art, 11(3), 355–374. https://doi.org/10.1386/eta.11.3.355_1
Leggo, C., Sinner, A. E., Irwin, R. L., Pantaleo, K., Gouzouasis, P., & Grauer, K. (2011). Lingering in liminal spaces: a/r/tography as living
inquiry in a language arts class. International Journal of Qualitative Studies in Education, 24(2), 239–256.
Lindqvist, G. (1995). The aesthetics of play: a didactic study of play and culture in preschools. Uppsala : Stockholm: [Uppsala University] ; Distributor, Almqvist & Wiksell International.
Smitka, J. (2015). Exploring Portraiture in Teaching Practice. Art Education, 68(5), 20–27.
Sugiarto, E., Rohidi, T., & Kartika, D. (2017). The art education construction of woven craft society in Kudus Regency, 17(1), 87–95.
Tomkins, C. (2002, April 15). Can Art Be Taught? New Yorker, p. 44
Trutty-Coohill P. (2008) Can Art Be Taught?. In: Tymieniecka AT. (eds) Education In Human Creative Existential Planning. Analecta
Husserliana (The Yearbook Of Phenomenological Research), vol 95. Springer, Dordrecht
Wenger, E. (1998). Communities of practice: learning, meaning, and identity. Cambridge, U.K.; New York, N.Y.: Cambridge University Press.
Wenger, E. (2002). Cultivating communities of practice: a guide to managing knowledge. Boston, Mass: Harvard Business School Press.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Chrysogonus Siddha Malilang

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
