The performance and meaning of punk in a local Swedish context

Authors

  • Philip Lalander Malmö University
  • Jonas Qvarsebo Malmö University

DOI:

https://doi.org/10.24834/educare.2016.2.1063

Keywords:

Punk, Oi!, politics, style, Sweden

Abstract

When punk culture travelled from The US and England to Sweden in the late 1970s and early 1980s, the result was a mix of symbols, emotions and attitudes from all three national contexts. One Swedish town where punk made an impact was Norrköping, a middle-sized working class town south of Stockholm. The foucus of this article is the transformation of punk as it entered a new national and local context. We are interested in what happened to punk as it travelled from centre – London, Detroit and New York – to periphery – Sweden and Norrköping and what kind of meaningmaing practices that became possible in the new context. The empirical material consists of interviews with 24 informants who were part of the punk scene in Norrköping during the period. Besides the interviews we have made use of photographs, song lyrics and newspaper material. Our methodological approach is interactive memory work in which we together with the informants reflect on the performance and meaning of punk in Norrköping.

References

Berkers, P. (2012). “Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976–1982”. Journal of Popular Music Studies, Vol 24 (2), 155–175.

Bjurström, E. (1990). “Raggare: En tolkning av en stils uppkomst och utveckling.” In P. Dahlen and Rönnberg, M. (ed.) Spelrum: Om lek, stil och flyt i ungdomskulturen. Uppsala: Filmförlaget.

Douglas, M. (1966/2002). Purity and Danger: An Analysis of Concept of Pollution and Taboo. London: Routledge.

Falk, P. (1994), The Consuming Body. London: Sage.

Hall, S. and Jefferson, T. (ed.) (1975/1991). Resistance Through Rituals: Youth Subcultures in Post-War Britain. London: Routledge.

Hannerz, E. (2015). Performing Punk. New York: Palgrave Macmillan.

Hebdige, D. (1979). Subculture: The Meaning of Style. London: Routledge.

Johansson, T. and Lalander, P. (2012). “Doing resistance – youth and changing theories of resistance”. Journal of Youth Studies, vol 15 (8), 1078-1088.

Laclau, E. and Mouffe, C. (1985). Hegemony and Socialist Strategy – Towards a Radical Democratic Politics. London: Verso (New Left).

Lalander, P. and Qvarsebo, J. (2014). Punk i Peking: Motstånd, attityd och mening. Malmö: Peking Studio & Förlag.

Lindesmith, A. R., Strauss, A. L. and Denzin, N. K. (1999). Social Psychology. Thousand Oaks, London, New Dehli: Sage Publications.

Marcus, G. (1993). In the Fascist Bathroom: Punk in Pop Music 1977-1992. Cambridge/London: Harvard University Press.

Nilsson, H. (Ed.) (2000). Norrköpings historia 1900-talet. Linköping: Centrum för lokalhistoria.

O’Neill, S. and Trelford, G. (2003). It Makes You Want to Spit! The Definitive Guide to Punk in Northern Ireland. Dublin: Reekus Music.

Thornton, S. (1995). Club Culture: Music, Media and Subcultural Capital. London: Polity Press.

Willis, P. E. (1977). Learning to Labour: How Working Class Kids get Working Class Jobs. Farnborough: Saxon House.

Worley, M. (2013). “Oi! Oi! Oi!: Class, Locality and British Punk”. Twentieth Century British History, March 2013, 1-31.

Worley, M. (2014). “‘Hey little rich boy, take a good look at me’: Punk, class and British Oi!”. Punk and Post Punk Vol 3 (1), 5-20.

Downloads

Published

2016-06-01

How to Cite

Lalander, P., & Qvarsebo, J. (2016). The performance and meaning of punk in a local Swedish context. Educare, (2), 26–49. https://doi.org/10.24834/educare.2016.2.1063