A Ginga da Rainha: Apoteose da Rainha Ginga no carnaval carioca

Authors

  • Helder Thiago Maia Universidade de São Paulo, Bolsista Pós-Doutorado FAPESP

DOI:

https://doi.org/10.58221/mosp.v113i1.7633

Keywords:

Queen Ginga, Carnival, Rio de Janeiro, Congada, Freedom

Abstract

After a brief panorama of the representation in other arts, I analyze the presence of Queen Ginga in Brazilian culture from twenty sambas-enredo of Escolas de samba in Rio de Janeiro, and their respective parades, between the carnivals of 1972 and 2019. Based in the material found and the analyses, we can say that there are two distinct moments in the representation of the Angolan Queen: between the 70s and 90s, when Ginga was linked to the Congada and the Coronation of Kings, and between the 00s and 10s, when it was narrated mainly from the ideas of resistance and freedom.

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Published

2019-07-06

How to Cite

Maia, H. T. (2019). A Ginga da Rainha: Apoteose da Rainha Ginga no carnaval carioca. Moderna Språk, 113(1), 129–163. https://doi.org/10.58221/mosp.v113i1.7633

Issue

Vol. 113 No. 1 (2019)

Section

Original Articles

License

Copyright (c) 2019 Helder Thiago Maia

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

The full license and copyright terms for Moderna Språk can be found under the journal's Open Access Policy.