Recension av The Cold War through the Lens of Music-Making in the GDR. Political Goals, aesthetic paradoxes, and the case of neutral Sweden. Eds. Petra Garberding & Henrik Rosengren

Martin Knust (Dr. phil., M.A.) is associate professor in musicology and member of the research center
for Intermedial and multimodal studies at Linnæus University (LNUC IMS). His research interests focus
on opera and music theatre after 1800 (especially the historical performance practice of speech, song and gestures), north European music after 1800 (especially reception and cultural transfer processes between the North and continental Europe), Swedish pop, and music in audiovisual political journalism (especially its production and aesthetics).