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  3. Vol. 3 (2000): STM-Online

Vol. 3 (2000): STM-Online

Published: 2000-12-01

Editorial

  • Välkomna till STM-Online 3!

    Per F. Broman
    • HTML (Svenska)

Articles

  • Joonas Kokkonen’s “Free” Dodecaphonic Composition? A Study of the Passacaglia from the String Quartet No. 2

    Edward Jurkowski
    • HTML
  • Rock i Rörelse Hardcore, Straight Edge, veganism och djurrättsrörelsen

    Torgny Sandgren
    • HTML (Svenska)
  • Varför är svensk popmusik så populär utomlands? Synpunkter på det ”svenska musikundret” och på det spontana i popmusikens musikaliska språk

    Patrik Sandgren
    • HTML (Svenska)
  • Skyskrapornas och de röda stugornas musik Ett försök till förståelse av fusionen av jazz och svensk folkmusik

    Toivo Burlin
    • HTML (Svenska)
  • Några tankar kring vilken musikhistoria vi skall undervisa idag

    K. Olle Edström
    • HTML (Svenska)
  • Om musikhistorieundervisningen vid musikhögskolorna

    Eva Öhrström
    • HTML (Svenska)
  • Writing Twentieth-Century Music History in Postmodern Times

    Joakim Tillman
    • HTML

Reviews

  • Alternativen zur Werkästhetik: John Cage und Helmut Heissenbüttel

    Søren Møller Sørensen
    • HTML (Svenska)

About the Journal

About the journal

STM–SJM publishes articles in various fields of music research (music history, music theory and analysis, organology, ethnomusicology, sociomusicology, music aesthetics, music criticism, music education, artistic research in music, etc.). Music-related contributions from researchers in other disciplines, particularly in the humanities and social sciences, are also welcome. The journal’s main mission is to present research concerned with music in Sweden and the other Nordic countries (Finland, Denmark, Norway, Iceland), but contributions on other musical topics by Nordic researchers are also welcome.

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Svensk tidskrift för musikforskning – Swedish Journal of Music Research (STM–SJM) | ISSN: 0081-9816; ISSN (Online): 2002-021X

Published by The Swedish Society for Music Research | This journal is published open access under a Creative Commons CC-BY 4.0 license.

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