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  3. Vol. 100 (2018)

Vol. 100 (2018)

Published: 2019-03-27

Articles

  • As you like it in Gothenburg 1920 Wilhelm Stenhammar’s incidental music in interaction with play, place and pastoral concerns

    Annika Lindskog
    133-169
    • PDF
  • Corpus – dispositive – persona formants of an anthropology of sound

    Holger Schulze
    117-132
    • PDF
  • Room for interpretation methodological aspects of a music research project

    Sverker Jullander, Petter Sundkvist, Jon Berg, Helge Kjekshus, Karin Nelson
    89-115
    • PDF
  • “Joik er som en sirkel!” Realitet eller ideologi?

    Ola Graff
    47-88
    • PDF (Svenska)
  • Jazzy tunes and dreamy images in the cold war era launching Finnish jazziskelmä on-screen

    Kaarina Kilpiö, Terhi Skaniakos, Ari Poutiainen
    25-46
    • PDF
  • Listening to technologically mediated music in film representations of social and solitary listening in Swedish cinema 1930–70

    Tobias Pontara
    3-24
    • PDF

Reviews

  • Recensioner

    Flertal författare
    • PDF (Svenska)

Editorial

  • Editorial

    Karin Johansson, Sven Bjerstedt

About the Journal

About the journal

STM–SJM publishes articles in various fields of music research (music history, music theory and analysis, organology, ethnomusicology, sociomusicology, music aesthetics, music criticism, music education, artistic research in music, etc.). Music-related contributions from researchers in other disciplines, particularly in the humanities and social sciences, are also welcome. The journal’s main mission is to present research concerned with music in Sweden and the other Nordic countries (Finland, Denmark, Norway, Iceland), but contributions on other musical topics by Nordic researchers are also welcome.

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Svensk tidskrift för musikforskning – Swedish Journal of Music Research (STM–SJM) | ISSN: 0081-9816; ISSN (Online): 2002-021X

Published by The Swedish Society for Music Research | This journal is published open access under a Creative Commons CC-BY 4.0 license.

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