Editorial

Madeleine Modin, PhD in musicology, holds a position as research archivist at Svenskt visarkiv (Centre for Swedish Folk Music and Jazz Research) in Stockholm, Sweden. Her research interests include collecting and playing historical instruments (theme of doctoral thesis, Stockholm University 2018), musical instrument building, as well as vocal and instrumental Swedish traditional music. Her latest publication is “The Audience and the Boat on the Visa Wave. The Visa Barge Storken 1962–1969” in Creative Shifts Musical Flows in 1960s and 1970s Sweden (Ed. Hyltén-Cavallius 2022). She is General Editor of Puls, president of the Swedish committé of ICTMD and board member of Svenska samfundet för musikforskning.