”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.”1

Andréas Hallén’s Letters to Hans Herrig. A Contribution to the Swedish-German Cultural Contacts in the Late Nineteenth Century

Författare

  • Martin Knust

Abstract

-

Författarbiografi

Martin Knust

Martin Knust has studied musicology, theology, and philosophy at Greifswald, Berlin (Humboldt Universität), and Dresden. His doctoral thesis, Sprachvertonung und Gestik in den Werken Richard Wagners – Einflüsse zeitgenössischer Rezitations- und Deklamationspraxis (2006, published in 2007), is a cross-disciplinary study of theatrical gesture and declamation as models for the music of Richard Wagner. In 2008, after employments at Greifswald and Berlin (Technische Universität), Martin Knust became a postdoctoral research fellow/assistant professor in musicology at Stockholm University. His main research interests are opera and music theatre, Nordic music in the nineteenth, twentieth and twenty-first centuries, church music in the sixteenth century, music iconography, and music in Angkor and Cambodia.

Downloads

Publicerad

2011-05-31

Referera så här

Knust, M. (2011). ”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.”1: Andréas Hallén’s Letters to Hans Herrig. A Contribution to the Swedish-German Cultural Contacts in the Late Nineteenth Century. Svensk Tidskrift för Musikforskning Swedish Journal of Music Research, 93, 33–76. Hämtad från https://publicera.kb.se/stm-sjm/article/view/34060

Nummer

Vol 93 (2011)

Sektion

Artiklar

Licens

Författare som bidrar till STM-SJM behåller copyright till verket med första utgivningsrätt till Svenska samfundet för musikforskning. Läs tidskriftens policy om upphovsrätt och licenser.