”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.”1

Andréas Hallén’s Letters to Hans Herrig. A Contribution to the Swedish-German Cultural Contacts in the Late Nineteenth Century

Authors

  • Martin Knust

DOI:

https://doi.org/10.58698/stm-sjm.v93.34060

Abstract

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Author Biography

Martin Knust

Martin Knust has studied musicology, theology, and philosophy at Greifswald, Berlin (Humboldt Universität), and Dresden. His doctoral thesis, Sprachvertonung und Gestik in den Werken Richard Wagners – Einflüsse zeitgenössischer Rezitations- und Deklamationspraxis (2006, published in 2007), is a cross-disciplinary study of theatrical gesture and declamation as models for the music of Richard Wagner. In 2008, after employments at Greifswald and Berlin (Technische Universität), Martin Knust became a postdoctoral research fellow/assistant professor in musicology at Stockholm University. His main research interests are opera and music theatre, Nordic music in the nineteenth, twentieth and twenty-first centuries, church music in the sixteenth century, music iconography, and music in Angkor and Cambodia.

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Published

2011-05-31

How to Cite

Knust, M. (2011). ”Klappern und wieder klappern! Die Leute glauben nur was gedruckt steht.”1: Andréas Hallén’s Letters to Hans Herrig. A Contribution to the Swedish-German Cultural Contacts in the Late Nineteenth Century. Svensk Tidskrift för Musikforskning Swedish Journal of Music Research, 93, 33–76. https://doi.org/10.58698/stm-sjm.v93.34060

Issue

Vol. 93 (2011): STM

Section

Articles

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