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  1. Home /
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  3. Vol. 102 (2020)

Vol. 102 (2020)

Published: 2020-12-01

Articles

  • Why 3 minutes? Sound-reproduction media, popular music form and temporality

    Alf Björnberg
    1-14
    • PDF
  • Tolkningspraktiker och bedömningskulturer Om bedömning inom högre musikutbildning – en metaanalys av några delprojekt

    Bengt Olsson, Einar Nielsen
    15-35
    • PDF (Svenska)
  • The Sorcerer’s Apprentice’s apprentices A critical analysis of teaching and learning of musical interpretation in a piano master class

    Carl Holmgren
    37-65
    • PDF
  • Tonsättaren-klarinettisten Bernhard Crusell som välgörare i Sverige i början av 1800-talet

    Janne Palkisto
    67-84
    • PDF (Svenska)
  • New bums on opera seats The transition from feudalism to liberal society mirrored in European opera houses 1750–1825

    Staffan Albinsson
    85-115
    • PDF (Svenska)

Reviews

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    • PDF (Svenska)

Editorial

  • Editorial

    Sverker Jullander, Karin Johansson, Sven Bjerstedt

About the Journal

About the journal

Svensk tidskrift för musikforskning / Swedish Journal of Music Research is a peer-reviewed and interdisciplinary journal. Its main purpose is to publish qualitive and innovative articles from all conceivable fields of music research. We also welcome contributions on music-related topics from researchers in other disciplines, especially in the humanities and social sciences. The journal is published online only, with open access. Articles are immediately available on the website as soon as they are ready for publication. The same platform contains an archive of the journal's collected and uninterrupted publishing from 1919. Since then, the journal has been published by the Swedish Society for Music Research and has provided a central infrastructure in Swedish and Nordic research.

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Svensk tidskrift för musikforskning – Swedish Journal of Music Research (STM–SJM) | ISSN: 0081-9816; ISSN (Online): 2002-021X

Published by The Swedish Society for Music Research | This journal is published open access under a Creative Commons CC-BY 4.0 license.

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