Music listening and matters of equality in music education

Författare

  • Eva Georgii-Hemming
  • Victor Kvarnhall

Nyckelord:

democratic music education, gender, equality, sociology of music education, philosophy of music education

Abstract

Peoples’ interpretations and understanding of music are imprinted by associations that reoccur in media, through conversations at work or in social media. Our understanding is coloured by time and place, which also means that we load music with meanings based on aspects such as gender, class or ethnicity. Music education is a part of the students’ music and culture socialisation and the repertoire in the classroom is therefore important for challenging as well as preserving various societal constructs. In order to achieve a democratic music education that strives for inclusion and equality, a substantial realisation is needed in regards to musical conventions and connotations. In this article we address these questions, but also how teachers can consciously work with them. We give some examples based on music listening. Until now, these critical perspectives based on music listening and its potentials for equality in music education have been lacking within the international research community.

Författarbiografier

Eva Georgii-Hemming

Eva Georgii-Hemming is Professor at the School of Music, Theatre and Art, Örebro University, Sweden. She is the main editor to the anthology Professional Knowledge in Music Teacher Education (Ashgate 2013) and has contributed to international anthologies such as Learning, Teaching and Musical identity (Indiana UP 2011). She has published articles in journals such as British Journal of Music Education, Research Studies in Music Education, Music Education Research and Nordic Research in Music Education. Her research interests have led to frequent presentations and keynotes at international conferences in Europe and the United States.

Victor Kvarnhall

Victor Kvarnhall received his PhD in Musicology from Örebro University in the fall of
2015. The thesis is a study on boys and the reproduction of male dominance and gender
segregation within popular music life. Especially, it offers a critical realist explanation of
why boys adapt certain reproductive approaches to popular music/making.

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Publicerad

2015-11-20

Referera så här

Georgii-Hemming, E., & Kvarnhall, V. (2015). Music listening and matters of equality in music education. Svensk Tidskrift för Musikforskning Swedish Journal of Music Research, 97, 27–44. Hämtad från https://publicera.kb.se/stm-sjm/article/view/33658

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