The Story of the Mora-harp:

Museumization and De-museumization

Authors

  • Gunnar Ternhag

DOI:

https://doi.org/10.58698/stm-sjm.v9.55749

Keywords:

Ethnomusicology, keyed harp, nyckelharpa, Mora-harp, museum, folk music, Sweden, museumization

Abstract

The collections of the Zorn-museum in Mora, Sweden, include an old nyckelharpa (literary "keyed harp"), a chordophone with three strings which can be stopped with twelve keys. This instrument, today referred to as the "Mora-harp," is probably the oldest nyckelharpa preserved.

The essay outlines the few details known about the Mora-harp's existence before it became a museum specimen. In contrast, its remarkable revival, which started in the 80s, is very well documented. Today, the Mora-harp is considered a well-established instrument on the Swedish folk-music scene.

The transformation of an object into a museum specimen can be called museumization. This concept principally points out the change of meaning that the object undergoes. The article argues that the revival of a musical instrument from a museum collection could be described as a reverse process of museumization, a de-museumization. It analyzes the content of this process by comparing the instrument´s path into the museum with its path out.

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Published

2006-12-01

How to Cite

Ternhag, G. (2006). The Story of the Mora-harp: : Museumization and De-museumization. Svensk Tidskrift för Musikforskning Swedish Journal of Music Research, 9. https://doi.org/10.58698/stm-sjm.v9.55749

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