The Story of the Mora-harp:
Museumization and De-museumization
DOI:
https://doi.org/10.58698/stm-sjm.v9.55749Nyckelord:
musiketnologi, nyckelharpa, museum, folkmusik, Sverige, museifieringAbstract
The collections of the Zorn-museum in Mora, Sweden, include an old nyckelharpa (literary "keyed harp"), a chordophone with three strings which can be stopped with twelve keys. This instrument, today referred to as the "Mora-harp," is probably the oldest nyckelharpa preserved.
The essay outlines the few details known about the Mora-harp's existence before it became a museum specimen. In contrast, its remarkable revival, which started in the 80s, is very well documented. Today, the Mora-harp is considered a well-established instrument on the Swedish folk-music scene.
The transformation of an object into a museum specimen can be called museumization. This concept principally points out the change of meaning that the object undergoes. The article argues that the revival of a musical instrument from a museum collection could be described as a reverse process of museumization, a de-museumization. It analyzes the content of this process by comparing the instrument´s path into the museum with its path out.
Downloads
Publicerad
Referera så här
Nummer
Sektion
Licens
Copyright (c) 2006 Gunnar Ternhag

Det här verket är licensierat under en Creative Commons Erkännande 4.0 Internationell-licens.
Författare som bidrar till STM-SJM behåller copyright till verket med första utgivningsrätt till Svenska samfundet för musikforskning. Läs tidskriftens policy om upphovsrätt och licenser.
