Formens betydning

En analyse af vandreudstillingen Kaos von Linné

Författare

  • Louise Ahmt Roskilde Universitetscenter

DOI:

https://doi.org/10.54807/kp.v17.28561

Nyckelord:

Kaos von Linné, exhibition, museology

Abstract

The underlying basis for the analysis is a theory by Camilla Mordhorst and Kitte Wagner Nielsen. They argue that the form of an exhibition will always be the carrier of a certain content, which is historically determined. The form of an exhibition is not necessarily identical to the content, which the exhibition seeks to express. Therefore it is possible for the form and content of an exhibition to be in conflict. With this in mind an account of the modern and the post-modern form of exhibition is given. The analysis of the travelling exhibition Kaos von Linné takes it points of departure in the account of the two forms of exhibition. The analysis demonstrates both how the modern and the post-modern form of exhibition can influence present exhibitions. In this ways the analysis shows how the interplay between the form and the content of the exhibition have an impact on the total expression of the exhibition.

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Författarbiografi

Louise Ahmt, Roskilde Universitetscenter

Louise Ahmt er stud.mag. i historie og kommunikation fra Roskilde Universitetscenter i Danmark. Hun har været udvekslingsstuderende ved Umeå universitet i efteråret 2007, hvor hun har studeret museologi. Artikeln er skrevet på baggrund af D-uppsatsen "Formens betydning — en analyse af vandreudstillinge Kaos von Linné".

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Publicerad

2008-03-01

Referera så här

Ahmt, L. (2008). Formens betydning: En analyse af vandreudstillingen Kaos von Linné. Kulturella Perspektiv – Svensk Etnologisk Tidskrift, 17(1), 17–27. https://doi.org/10.54807/kp.v17.28561