Lydlitteraturens værdier
Litterær (værdi)dannelse i en streamingtid
DOI:
https://doi.org/10.54797/tfl.v55i1.55921Nyckelord:
audiobooks, streaming services, literary values, literary valuation, digital book culture, service economyAbstract
The values of audio fiction: Literary values and valuation in the age of streaming
Audiobooks are more popular than ever before. The article examines how this so-called “audiobook boom”, as well as the communities, reading practices, and economic systems surrounding audiobooks affect how we ascribe value to books and reading. The article departs from a notion of literary values based in the sociology of literature. While its contribution is primarily conceptual, the discussion is based on results from two interview studies with, respectively, Danish and Swedish authors, publishers, and streaming service representatives. As the “audiobook boom” in Denmark and Sweden is connected to the distribution model of subscription-based streaming, the article presents an analysis of how this model transforms the ways in which we ascribe economic value to books. The article argues that these changes regarding economic values and valuation also impact the “content”, resulting in a turn towards genre fiction and what some informants see as a commercialization of literary culture. Turning towards the readers’ perspective, the audiobook significantly transforms how we use literature in everyday contexts – and who uses it. The audiobook is thus associated with social and practical values, while the value of the reading, and the knowledge we get through reading-by-listening is questioned. Thus, while the audiobook is socially valued because of its accessibility and its potential for lowering the threshold of literary culture, it is not accepted into the established value systems of that same literary culture. The article concludes that this leads to a polarization of the literary field with audiobooks (and the associated genres) on the one side, and print culture (and associated “quality” fiction) on the other. Based on the results, the article finally discusses what “makes a good audiobook” – and how the format impacts how we value literature in a digital book economy.
Nedladdningar
Referenser
Berglund, Karl. Reading Audio Readers. Book Consumption in the Streaming Age. London: Bloomsbury University Press, 2024. DOI: https://doi.org/10.5040/9781350358393
Berglund, Karl og Sara Tanderup Linkis. “Modelling Subscription-based Streaming Services for Books.” Memoires du Livre/Studies in Book Culture vol. 13 (2022:1), 1–30. https://doi.org/10.7202/1094131ar. DOI: https://doi.org/10.7202/1094131ar
Berglund, Karl og Ann Steiner. “Is Backlist the New Frontlist? Large-scale data analysis of bestseller book consumption in streaming services.” LOGOS vol. 32 (21:1), 7–24. https://doi.org/10.1163/18784712-03104006. DOI: https://doi.org/10.1163/18784712-03104006
Bogens og litteraturens vilkår 2024. Bogpanelet, Kulturministeriet 2024: https://www.kum.dk/fileadmin/_kum/1_Nyheder_og_presse/2024/Bogpanelets-Aarsrapport_2024-04.pdf.
Bokförsäljningsstatistiken 2024. Svenska Förläggareföreningen, 2025: https://forlaggare.se/wp-content/uploads/2025/03/Bokforsaljningsstatistiken-2024.pdf.
Bourdieu, Pierre. Konstens regler. Det litterära fältets uppkomst och struktur. Stockholm/Stehag: Brutus Östlings bokförlag Symposion, 2000.
Colbjørnsen, Terje. “The streaming network: Conceptualizing distribution, economy, technology and power in streaming media services,” Convergence, vol 27 (2021: 5), 1264–1287. https://journals.sagepub.com/doi/pdf/10.1177/1354856520966911. DOI: https://doi.org/10.1177/1354856520966911
Forslid, Torbjörn et al. Höstens böcker. Litterära värdeförhandlingar 2013. Göteborg og Stockholm: Makadam, 2015.
Have, Iben og Birgitte Stougaard Pedersen. Digital Audiobooks. New Media, Users and Experiences. New York: Routledge, 2015. DOI: https://doi.org/10.4324/9781315743080
Hernnstein Smith, Barbara. ”Värde/värdering” i Anders Mortensen, red. Litteraturens värden. Stockholm/Stehag: Brutus Östlings bokförlag Symposion, 2009.
Kjær, Birgitte. “Syv anerkendte forfattere vil boykotte streaming.” Politiken, 2023–10–30. https://politiken.dk/kultur/boger/art9595970/Syv-anerkendte-forfattere-vil-boykotte-streaming. DOI: https://doi.org/10.7146/pl.v10i2.135526
Kjær, Birgitte. “Historisk stor samling af forfattere i fælles kamp mod streamingtjenesterne.” Politiken, 2023–10–27. https://politiken.dk/kultur/boger/art9587570/Historisk-stor-samling-af-forfattere-i-f%C3%A6lles-kamp-mod-streamingtjenester
Kjær, Birgitte, “Streaminggigant skyder klager over “absurd” betaling tilbage til forlag.” Politiken 2023–9–16. https://politiken.dk/kultur/boger/art9515395/Streaminggigant-skyder-klager-over-»absurd«-betaling-tilbage-til-forlag.
Koepnick, Lutz. “Figures of resonance. Reading at the edges of attention,” SoundEffects vol. 8 (2019: 1). https://www.soundeffects.dk/article/view/115026/163422.
Linkis, Sara Tanderup. Serialization in Literature across Media and Markets. New York: Routledge, 2021. DOI: https://doi.org/10.4324/9781003265894
Linkis, Sara Tanderup og Sarah Mygind. Forfatteres vilkår og økonomi i en streamingtid. København: Bogpanelet, Kulturministeriet, 2025.
Linkis, Sara Tanderup og Julia Pennlert. “En helt annan upplevelse. Ljudbokens band till sina läsare.” Tidskrift för Litteraturvetenskap 52 (2022: 1), 41–53. https://publicera.kb.se/tfl/article/view/2227/7450. DOI: https://doi.org/10.54797/tfl.v52i1.2227
Linkis, Sara og Julia Pennlert. ”Sound Texts. How Audiobooks Transform Writing, Production and Uses of Literature.” Paper på konferencen “A Reading Crisis”, Stockholms Universitet 2024–10–10.
McGurl, Mark. Everything and Less. The Novel in the Age of Amazon. London og New York: Verso, 2021.
Miller, Laura. Reluctant Capitalists. Bookselling and the Culture of Consumption. Chicago: University of Chicago Press, 2006. DOI: https://doi.org/10.7208/chicago/9780226525921.001.0001
Murray, Simone. The Digital Literary Sphere. Baltimore: Johns Hopkins University Press, 2018. DOI: https://doi.org/10.1353/book.60734
Nordisk Lydbogsundersøgelse 2024. Mofibo, 2024: https://blog.mofibo.com/wp-content/uploads/2024/03/Mofibo_2024_DK.pdf.
Rottböll, Grethe og Per Wirtén. ”Det är omöjligt att tjäna pengar som författare i dag.” Expressen 2023–9–27, https://www.expressen.se/kultur/det-ar-omojligt-att-tjana-pengar-som-forfattare-i-dag/.
Rubery, Matthew. The Untold History of the Talking Book. Oxford: Oxford UP, 2016. DOI: https://doi.org/10.4159/9780674974555
Spjeldnæs, Kari og Faltin Karlsen, “How digital devices transform literary reading: The impact of e-books, audiobooks and online life on reading habits.” New Media & Society vol. 26 (2022: 8), 4808–4824. DOI: https://doi.org/10.1177/14614448221126168
Steiner, Ann, Jerry Määttä og Karl Berglund. “Skilda Världar. Kvalitetslitteraturens villkor i Sverige idag.” Stockholm: Föreläggareföreningen, 2022. https://forlaggare.se/wp-content/uploads/2022/11/Skilda-varldar.pdf.
Stougaard Pedersen, Birgitte. ”Litteraturens platformisering mellem høj- og lavkultur.” K&K: Kultur og Klasse, 52 (2024: 138), 135–154, https://tidsskrift.dk/kok/article/view/152331.
Sundet, Vilde Schanke og Terje Colbjørnsen. ”Streaming across industries. Streaming logics and streaming lore across the music, film, television, and book industries.” Mediekultur vol. 70 (2021), 12–31. DOI: https://doi.org/10.7146/mediekultur.v37i70.122425
Tattersall Wallin, Elisa. Sound Reading. Exploring and conceptualising audiobook practices among young adults. Borås: Högskolan i Borås, 2022. https://hb.diva-portal.org/smash/get/diva2:1626374/FULLTEXT01.pdf.
Wilkins, Kim, Beth Driscoll og Lisa Fletcher. Genre Worlds. Popular Fiction and Twenty-First Century Book Culture. Amherst og Boston: University of Massachusetts Press, 2022. DOI: https://doi.org/10.2307/j.ctv2n4w5hm
Ørmen, Jacob. Læsning i forandring. Specialrapport, Bogpanelet, 2023. https://kum.dk/fileadmin/_kum/1_Nyheder_og_presse/2023/Rapport_Laesning-i-forandring_FEB_TG.pdf.
Åberg, Daniel. ”At skrive til øret. Betragtninger fra en Storytel Originals forfatter,” Passage 35: 85 (2020), 71–84, https://doi.org/10.7146/pas.v35i83.121609; DOI: https://doi.org/10.7146/pas.v35i83.121609
Downloads
Publicerad
Referera så här
Nummer
Sektion
Kategorier
Licens
Copyright (c) 2025 Sara Tanderup Linkis

Det här verket är licensierat under en Creative Commons Erkännande 4.0 Internationell-licens.
Författaren/författarna behåller copyright till verket
