Queer Waiting (to Get Caught) in Patricia Highsmith’s The Talented Mr. Ripley

Författare

  • Oscar von Seth Uppsala universitet

DOI:

https://doi.org/10.54797/tfl.v55i3.54947

Nyckelord:

The Talented Mr. Ripley, Patricia Highsmith, queer theory, antagonism, queer waiting, deidealization

Abstract

Queer Waiting (to Get Caught) in Patricia Highsmith’s The Talented Mr. Ripley

This article presents an interpretation of The Talented Mr. Ripley (1955) by Patricia Highsmith. At the center is Tom Ripley, the novel’s protagonist, a closeted serial killer suffering from profound internalized homophobia. Throughout the narrative, Tom waits in a variety of ways. The article examines how the phenomenon of waiting is rendered in Highsmith’s novel, what Tom waits for, and how waiting affects him. Furthermore, it emphasizes how waiting and queerness intersect in the text while simultaneously investigating if Tom’s antagonistic traits are enhanced because he is forced to endure waiting. Theoretically, the concept of queer waiting (von Seth 2025) influences the interpretation. Queer waiting suggests that although waiting is a universal human activity and inescapable feature of life, queer people experience waiting in unique ways. Broadly, the article demonstrates that Tom Ripley embodies a cluster of antagonism, queerness, and waiting. He awaits getting caught for his crimes and experiences a sort of waiting to be outed as queer. Also, Tom waits for attention from the man he desires, his straight friend Dickie. Ultimately, the article concludes that it is because Dickie strings Tom along that Tom’s antagonism is expressed violently.

Nedladdningar

Nedladdningsdata är inte tillgängliga än.

Författarbiografi

Oscar von Seth, Uppsala universitet

Filosofie doktor i litteraturvetenskap. Hans pågående postdokprojekt, ”Queer väntan i litteratur och film” (finansierat av Vetenskapsrådet), är placerat vid Centrum för genusvetenskap, Uppsala universitet, och vid King’s College London. von Seths forskningsintressen befinner sig i skärningspunkten mellan litteraturvetenskap, filmvetenskap och queerteori. Utöver detta är han intresserad av maskulinitet, sexualitetshistoria och narrativa representationer av AIDS-epidemin. Hans avhandling, Outsiders and Others (2022) är den första utförliga queera läsningen av Hermann Hesses författarskap, och hans monografi om queer väntan, ett nytt koncept för queerteori, ges ut av Bloomsbury under 2026.

Referenser

Amin, Kadji. Disturbing Attachments: Genet, Modern Pederasty, and Queer History. Durham: Duke University Press, 2017.

Björklund, Jenny & Lönngren, Ann-Sofie. “Now You See It, Now You Don’t: Queer Reading Strategies, Swedish Literature, and Historical (In)visibility.” Scandinavian Studies vol. 92 (2020: 2), 196–228. https://doi.org/10.3368/sca.92.2.0196.

Bourget, Juliette. “From Witness to Accomplice: The Manipulation of Readers’ Empathy Through Consciousness Representation in Patricia Highsmith’s The Talented Mr Ripley.” Journal of Literary Semantics vol. 52 (2023: 2), 145–161. https://doi.org/10.1515/jls-2023-2010.

Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press 2004.

Fone, Byrne. Homophobia: A History. New York: Metropolitan Books, 2000.

Greven, David. “Queer Ripley: Minghella, Highsmith, and the Antisocial.” In Patricia Highsmith on Screen, ed. Wieland Schwanebeck & Douglas McFarland, 121–137. Cham: Palgrave Macmillan, 2018. https://doi.org/10.1007/978-3-319-96050-0_7.

Haggerty, George. Queer Gothic. Urbana: University of Illinois Press, 2006.

Halberstam, Jack. The Queer Art of Failure. Durham: Duke University Press, 2011.

Heidegger, Martin. Discourse on Thinking, John M. Anderson & E. Hans Freund trans. New York: Harper & Row, [1959] 1966.

Hesford, Victoria. “Tom Ripley, Queer Exceptionalism, and The Anxiety of Being Close to Normal.” Angelaki vol. 23 (2018: 1), 102–115. https://doi.org/10.1080/0969725X.2018.1435382.

Highsmith, Patricia. The Talented Mr. Ripley / Ripley Under Ground / Ripley’s Game. New York: Random House, [1955, 1970, 1974] 1999.

Highsmith, Patricia. Patricia Highsmith: Her Diaries and Notebooks, 1941–1995, ed. Anna von Planta. London: Weidenfeld & Nicolson, 2021.

Hilfer, Anthony Channell. “‘Not Really Such a Monster’: Highsmith’s Ripley as Thriller Protagonist and Protean man.” Midwest Quarterly Journal of Contemporary Thought vol. 25 (1984: 4), 361–374.

Minghella, Anthony, director. The Talented Mr. Ripley. Miramax, Paramount Pictures, Mirage Enterprises, Timnick Films, 1999.

Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press, 2009.

Peters, Fiona. Anxiety and Evil in the Writings of Patricia Highsmith. Burlington, VT: Ashgate, 2011.

Shannon, Edward A. “‘Where Was the Sex?’ Fetishism and Dirty Minds in Patricia Highsmith’s ‘The Talented Mr. Ripley’.” Modern Language Studies vol. 34 (2004: 1–2), 16–27. https://doi.org/10.2307/4150053.

Shouery, Imad. “Phenomenological Analysis of Waiting.” The Southwestern Journal of Philosophy vol. 3 (1972: 3), 93–101. https://doi.org/10.5840/swjphil19723342.

Straayer, Chris. “The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing.” In Masculinity: Bodies, Movies, Culture, ed. Peter Lehman, 115–132. New York: Routledge, 2001.

Targan, Eric. “Identity Theft: The Amoral Vision of Patricia Highsmith.” The Midwest Quarterly vol. 56 (2015: 4), 308ff.

Trask, Michael. “Patricia Highsmith’s Method.” American Literary History vol. 22 (2010: 3), 584–614. https://doi.org/10.1093/alh/ajq038.

von Seth, Oscar. “A Bad Gay Waiting for Vengeance: Ellie in The Last of Us Part II.” REDEN. Revista Española De Estudios Norteamericanos vol. 6 (2025: 2), 23–38. https://doi.org/10.37536/reden.2025.6.2724.

von Seth, Oscar. “Queer Waiting in Michael Cunningham’s The Hours,” Lambda Nordica (2025, online first), 1–24. https://doi.org/10.34041/ln.v.1006.

Wilson, Andrew. Beautiful Shadow: A Life of Patricia Highsmith. London: Bloomsbury, 2003.

Zdunkiewicz, Lech. “Aligning with Sociopaths: Character Engagement Strategies in Highsmith’s and Minghella’s Talented Mr. Ripleys.” Text Matters: A Journal of Literature, Theory and Culture (2021: 11), 119–136. https://doi.org/10.18778/2083-2931.11.09.

Publicerad

2025-12-18

Referera så här

von Seth, O. (2025). Queer Waiting (to Get Caught) in Patricia Highsmith’s The Talented Mr. Ripley. Tidskrift för Litteraturvetenskap, 55(3). https://doi.org/10.54797/tfl.v55i3.54947

Nummer

Sektion

Forskningsartikel

Kategorier

Liknande artiklar

1 2 3 4 5 6 7 8 9 10 > >> 

Du kanske också starta en avancerad sökning efter liknande artiklar för den här artikeln.