Maskinkroppens gräns

Våld, immunitet och medieteknologiska aggregationer i The Last of Us

Författare

  • Oscar Jansson Lunds universitet

DOI:

https://doi.org/10.54797/tfl.v51i1-2.1747

Nyckelord:

The Last of Us, radical animism, media ecology, cyborg, violence, immunity, intermedial narrative, secular apocalypse

Abstract

Boundaries of the Machine Body: Violence, Immunity and Media Assemblages in The Last of Us

This article examines the portrayal of bodily boundaries in the videogame series The Last of Us. Drawing on theories of media ecology and posthumanism (most notably Deer’s notion of radical animism, Haraway’s theories of the cyborg, and Fuller’s account of media assemblages), three aspects of this portrayal are described: first, the game’s narrativization of bodily violence through an amalgamation of the player’s sensory systems with media technologies; second, the game’s depiction of monstrous corporeality; and third, its representation of immune systems through the mirrored relationship between external tools and endogenous bodily functions. Connecting these three aspects, it is argued that The Last of Us portrays bodily boundaries as precarious, and that it presents violence, technology and infectious disease as callingcards for moving beyond anthropocentric views of corporeality; of conceptualizing the human body as machine-like and inevitably more-than-human.

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Författarbiografi

Oscar Jansson, Lunds universitet

Forskar och undervisar i litteraturvetenskap vid Lunds universitet.

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Publicerad

2021-12-10

Referera så här

Jansson, O. . (2021). Maskinkroppens gräns: Våld, immunitet och medieteknologiska aggregationer i The Last of Us. Tidskrift för Litteraturvetenskap, 51(1-2), 153–171. https://doi.org/10.54797/tfl.v51i1-2.1747

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